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| 1604 |
| | | Annibale Carracci completes an influential ceiling fresco in the Farnese palace in Rome | |
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| 1608 |
| | | The Flemish painter Peter Paul Rubens completes an altarpiece in Rome which is an early masterpiece of the baroque | |
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| 1622 |
| | | Bernini's youthful Pluto and Proserpina, suggesting soft flesh in cold marble, introduces the lively tradition of baroque sculpture | |
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| 1622 |
| | | The Flemish painter Anthony van Dyck begins a five-year stay, and a successful career as a portrait painter, in Genoa | |
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| 1624 |
| | | Nicolas Poussin arrives in Rome, where he develops the tradition of French classicism | |
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| 1627 |
| | | Claude Lorrain, basing himself like Poussin in Rome, paints classical landscapes suffused in light | |
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| c. 1720 |
| | | Canaletto begins to specialize in views of the Venetian canals, finding his main customers among the British | |
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| 1751 |
| | | Giovanni Battista Tiepolo begins a series of frescoes to decorate the prince bishop's residence in Würzburg | |
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| c. 1754 |
| | | Francesco Guardi, previously a painter of figures, begins to specialize in view of Venice, his native city | |
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| 1782 |
| | | Italian sculptor Antonio Canova sets up his studio in Rome and begins producing finely modelled nudes in the Greek style | |
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